THE TOLL ROAD TO HELL
Part One: The Whooters of Purgatory
Last modified:
Sunday, November 17, 2002 5:01 PM
11/16/02- What a low-rent little planet we live on that only gives us
24 hours per day. Sheesh. You're supposed to eat, sleep, work, watch
180+ minutes of Doctor Who videos and take care of everything else in mere 24
hour increments? Now that we've finally reached The Future, we're supposed
to have robot slaves and abundant leisure time to make up for this deficiency,
so that we can tool around the domed cities with our levitation packs and watch
Doctor Who videos. They lied. And because of this betrayal, I've had to cut
my Doctor Who watching time in half just so I could begin testing some techniques
for my next customizing project. Given the current influences -- not Doctor
Who, but the Renaissance Festival -- it's about armour. The heavy metal kind
of armour. I'd been shortcutting in recent projects by doing it in other ways:
through leather, chrome paint & simple metal shapes. Anything to avoid Electroforming.
Remember that? Nooooo, not Electroforming!!! Horrible, tedious stuff.
A revived interest in real armour has pointed me at that path again and I guess
I've recovered enough from the last traumatic experience to begin considering
it again. That's not to say that electroforming gives the best results-- Nickel plating
isn't quite the color and texture of steel armour. Pieces look more like they
were produced by a casting process. When highly polished, it tends to look like
vac-metalized plastic (which it's similar to, and which I think looks pretty
cheesy). For obvious reasons, banging the armour out of steel (like Cotswold's
armour) would give the most authentic finish, including the need to keep it
polished with oil to ward off rust. I don't consider that a good feature
of steel; handling removes the oily protective barrier, so ongoing maintenance
is required, just like it is with real armour. From an efficiency angle though,
it's much easier for me to sculpt a shape than it would be for me to bang it
out in metal-- believe me, I've tried. It's that blasted 24-hour day of ours
again. Still, it's something that I would like to try in earnest when the website
settles into the once-every-six-months update pattern.
Before starting such a figure project, I needed to refamiliarize myself with
the technique. Although I've recently used the equipment for small electroplating
jobs, I hadn't done any electroforming in a long time. To refresh your memory:
Plating is easy-- you start with a conductive object and in a matter of minutes
in the plating bath, a thin layer of the plating metal is deposited. A little
bit of polish and it looks spiffy.
Electroforming is much more involved: You start with a non-conductive surface,
coat it with conductive paint and over a period of many hours, build up a self-supporting
copper layer by electrochemical deposition. Unfortunately, it doesn't end there:
(Speaking as a tyro...) The deposited layer will more than likely be of variable
thickness with a granular finish, and possibly a few spots which didn't plate.
The voids can be fixed by more plating, but after that comes the ugly part:
Metal simply isn't as easy to finish as putty or styrene. Sure, you can use
a high abrasion power tool to quickly grind down a metal surface, but in this
case-- because we're dealing with a relatively thin layer of unknown thickness--
you run the risk of grinding through the deposited layer, down to the substrate.
When that happens (without much warning), you're screwed. So the less abrasive
and slower method is a safer choice-- power polishing. Lots of it, with fine
grit abrasives on a felt pad. Polishing a single small part like a shoulder
piece can take, depending on the quality you're chasing, from 15 minutes to
an hour with a Dremel running at full tilt. Felt pads need frequent replacing
too. It's a dirty job which requires eye protection and a dust mask. Heat builds
up very quickly, so you need to keep moving to polish different areas and let
the hot areas cool down.
For all this punishment, your reward is seeing the polished surface eventually
peek through the blackened polishing rouge. It's a near-miraculous sight because
the finish is so radically transformed in texture and coloration, and you're
so damned tired of polishing.
For my refamiliarization exercise, I tackled "Queen Dragon Momma's" armoured
parts. These had been targeted for the treatment before, but Electroforming
Trauma was overwhelming and I couldn't convince myself that it was worth it.
Even now-- still wary of the horrors of electroforming, I did first try to polish
her SnJ paint-and-polish armour. I soon realized that it would always look like
metallic paint... and her ample cups demanded to be transformed into shiny metallic
hootered armour.
The paint was very thick but thinned well with lacquer thinner. With near
zero ohms of resistance, the silver paint electroformed easily, except for trial
& error uncertainties about setting the correct ampere on the rectifier. Some
pieces came out with areas of granule clusters (overamped, I think), so quite
a bit of cleanup was necessary (as usual). The polishing process was every bit
as painful as mentioned above, but thankfully these were fairly small pieces
and doing all four pieces took a total of about 4-5 hours, in addition to the
electroforming time (about 4 hours). It's foolish to torture yourself, but you
can't help but think about how long the process takes compared to spray painting.
Once the pieces were polished, they were ready for a quick bath of nickel
electroplate, light polishing, and finally, a quick session of gold brush plating.
The intermediate nickel plate is applied as a "basecoat" for the gold. Being
a bright silver color, nickel is easily tinted by a thin plating of gold: The
gold plating would probably be overwhelmed by the electroformed copper's reddish
coloration.
Brush/pen plating is alternate to tank/bath plating. I think that gold is
expensive to do in a bath, even though those plating solutions are less concentrated.
With brush plating, the anode and electrolyte bath combine function in the form
of a felt-tipped pen/brush, saturated with concentrated gold electrolyte. This
is used to "paint" the plating on the surface. This lets you be very specific
about where it's applied so that none gets wasted where it's not needed.
So yeah... the Electroforming avenue is available, if I decide to go that
route. At this time, I don't know exactly what the project is going to
be, beyond the very general notion of "armour". I have some specific ideas,
but it's probably wise not to ramble about that just yet. It's wrong
to promise people flying cars when all you can deliver are gas-guzzling SUVs
and traffic-choked highways...
Polishing
"Generic Fantasy Warrior's" armour is what really convinced me: For the metallic
shine, chrome paint and SnJ faux metallic finishing kits don't really get ya
there.
I didn't get very far
in the refamiliarization before I figured out a very important and rarely-mentioned
thing about electroforming: Electroconductive paint has a limited shelf life.
At the tail end of my first electroforming stint, I'd wondered why it had gotten
harder to electroform stuff. I started getting thin and spotty coatings-- I
was thinking that my chemical baths had gotten contaminated, or that I wasn't
laying on the copper paint thick enough. Since I hadn't done any electroforming
in quite a while, I'd forgotten about this. But now, having attempted to revive
the old electroconductive paint, I decided to test the surface coating with
a Volt Ohm Meter: Infinity... In case you're not familiar with this stuff: That's
bad news. Infinity means a lot of resistance, and no conductance. You want less
than zero (on an uncalibrated VOM) or near zero ohms of resistance, and you
should be able to measure this between your lead wire and any point on the surface
to be electroformed. My guess is that the conductive particles in the paint
begin to oxidize once you've opened the bottle, and conceivably this could change
the conductive properties of the paint. In other words, toss out the old shit
and get some new stuff. Being in a somewhat extravagant mood (not really) and
wanting to be sure I got the best conductivity I could afford (true), this time
I bought silver conductive paint ("Silver Print", from MG Chemicals), which
is normally used to fix or alter circuit boards. Expensive stuff, but it comes
in a small half-ounce bottle so I'm sure that it'll get used up before it dies
(How's that for a silver lining?). Yes, silver tarnishes too (about 3 months?),
but I didn't run across any gold conductive paint. Actually, the much cheaper
nickel paint might have worked just fine.
(Hmmmm... could it be the beginnings of an armoured condom???)